The Future of the Book
Bestselling author Sam Harris explains his current solution to the strange new media world—and why he’s publishing short ebooks.
Writers, artists, and public intellectuals are nearing some sort of precipice: Their audiences increasingly expect digital content to be free. Jaron Lanier has written and spoken about this issue with great sagacity. You can purchase his book, which most of you will not do, or you can watch him discuss these matters for free. The problem is thus revealed even in the act of stating it. How can a person like Lanier get paid for being brilliant? This has become an increasingly difficult question to answer.
Where publishing is concerned, the Internet is both midwife and executioner. It has never been easier to reach large numbers of readers, but these readers have never felt more entitled to be informed and entertained for free. I have been very slow to appreciate these developments, and yet it is clear even to me that there are reasons to fear for the life of the printed book. Needless to say, many of the changes occurring in publishing are changes that neither publishers nor authors want. The market for books is continually shifting beneath our feet, and nobody knows what the business of publishing will look like a decade from now.